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Island Records and Vevo will donate all the funds from the Back to Black covers campaign to the Amy Winehouse Foundation, the charity created in Winehouse’s memory to help young people who are facing issues with homelessness, addiction, mental health, and more. Below, watch a video of Salaam Remi explaining the contest, as well as new lyric videos for “Tears Dry on Their Own” and “Just Friends”. The winner will have their song premiered on Island Records’ YouTube channel.
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Fans can download the original instrumentals for “Back to Black,” “Rehab,” “Tears Dry on Their Own,” and “Just Friends” (the former two produced by Mark Ronson, and the latter two by Salaam Remi), and then upload their renditions for a chance to record the cover professionally in a studio with Remi, who will also judge each entry.
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But she isn’t kidding.Island Records has announced a new Amy Winehouse covers contest to commemorate the 10-year anniversary of her iconic record Back to Black. And years before the next generation learned to temper their misery with sarcasm, memes and deadpan fatalism, we had Winehouse and her cartoon hearts, fluttering around words so crass you could barely believe she was singing them at all, let alone with a horn section. Remi’s experience working with Nas and the Fugees makes sense: The sound of Back to Black might appeal to retro-soul fans and jazz classicists, but the attitude is closer to rap. But Winehouse’s presentation still makes her music feel different-not so much an attempt to recreate the past as to honour the music she loved while still being true to the trash-talking, self-effacing millennial she was. The album’s appeal to soul music is obvious: The Motown horns (“Rehab”, “Tears Dry on Their Own”), the girl-group romance (“Back to Black”), the organic quality of the arrangements (“You Know I’m No Good”)-much of it courtesy of Brooklyn outfit The Dap-Kings. “You weren’t getting ‘I’m heartbroken.’ You were getting ‘I’m going to take the piss out of you for thinking you’re going to do something to me.’” “That was her shifty comedic energy,” Remi tells Apple Music. Salaam Remi-who produced the half of the album that Ronson didn’t-says listening to her lyrics was like being with a kid who’s misbehaving: You want to laugh because it’s funny, but if you do, she’s just going to push it further. Although her first album came out in 2003, many people will be hearing her for the first time around. But the cartoon hearts: Those were her, too, no matter how hard she worked to keep them hidden. This is Amy Winehouse’s second album, and the soul singer gives it her all. “He left no time to regret/Kept his dick wet with his same safe old bet”: That was her. And drawn around the lyrics, little cartoon hearts, the kind you might see in a young girl’s diary.įor all her brashness, what makes Back to Black so moving is the sense that Winehouse is constantly trying to punch through her pain-not to suppress it, exactly, but to wrap it in enough barbed wire that nobody could quite reach its core. Magic”, which Winehouse covered on her first album, 2003’s Frank in another, the phone number of someone Ronson thinks Winehouse met at the club the night before.
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“Like, ‘What do you mean, change it? That’s how it came out-I don’t know how to change it.’” Ronson still has the page, actually: In one corner, the chords for the Grover Washington song “Mr. Like, doesn’t it have to rhyme?” He asked her to change it, but she just gave him a blank look. That was the result of a pure music lovers heart. Remi remembers the initial tracks for Back to Black had a jazzier sound than the final product. The chorus, though-it kept tripping him up: “We only said goodbye in words, I died a thousand times.” “This thing in my brain went off,” he tells Apple Music, “like Producer 101. The writing and recording of the bulk of Winehouse and Remis timeless work together on Back to Black were the results of roughly four two-week trips in Miami over the course of 2005 into early 2006. What she re-emerged with was great: bleak, but funny tough, but hopelessly romantic.
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Ronson had given her a portable CD player with the song’s piano track, and Winehouse disappeared into the back for about an hour to write. They were at a studio in New York in early 2006, their first day working together. The producer Mark Ronson remembers when Amy Winehouse came in with the lyrics for “Back to Black”.